AI Image Editor
Repolish wardrobe, setting and light on frames that are almost right. One change per job, originals preserved, per-job pricing upfront.
Pick a template — skip the prompt writing
Pick an effect, upload your photo, and the built-in recipe does the rest. Same photo, far more reliable results.
You have been writing prompts by hand. Templates skip all of that — pick a card below, upload your photo, and get the same scene in one click.
Cock Out, Staring at You
Gaming and Sucking Cock
5s
⚡ Generate
Spooning Fuck
5s
⚡ Generate
Blowjob
Tits Squeeze
Cum Shot on Her Tits
Pussy Out, Footjob
Cowgirl, Bouncing Tits
She Rides His Cock
She Rides Reverse, Looks Back
Chair pov pussy
Repolish the facet. Do not recut the stone.
Every suite has frames that are ninety percent right: the pose lands, the light is perfect, the wardrobe belongs to a different pack. The editor exists for those frames. Describe the change in plain language — wardrobe, setting, light, detail — and the tool re-renders the frame with the change applied and the cut kept. Per-job pricing is shown before you confirm, and the original stays untouched in your account, exactly as a repolish leaves the stone’s proportions alone.
The repolish workflow
Pick frames worth saving
Strong pose and light, wrong details. A frame with a bad cut costs more to fix than to regenerate.
Brief one facet at a time
One instruction per job keeps the rest of the frame stable and the cost predictable.
Compare and keep the better
Original and repolish sit side by side in your account. Ship the winner; the other costs nothing more.
Repolishes creators ask for
Outfit changes
The same frame dressed for three different packs — the fastest catalogue multiplier there is.
Background moves
Showroom to hotel suite to studio backdrop without moving the subject or the light.
Light and mood
Daylight to evening, soft to dramatic — match a frame to the suite it is joining.
Instructions that polish cleanly
“Change the white pantsuit to a deep emerald tailored suit, keep the pose, hair and lighting identical.”
Names the one change and explicitly protects everything else. “Keep identical” clauses are cheap insurance.
“Move the scene to a marble hotel bathroom with warm mirror light, keep the subject and pose unchanged.”
One environment swap. Asking for a new setting, new outfit and new pose in one job is a recut, not a repolish.
Repolish or recut?
| Situation | Better move |
|---|---|
| Pose and light are right, details are wrong | Repolish — cheaper, and it keeps the frame’s cut |
| The composition itself misses | Recut with a corrected brief |
| One frame needed in three outfits | Repolish three times from the keeper |
How is editing priced?
Per job, shown before you confirm — image-to-image edits are 21 credits. Repolishing a keeper is normally cheaper than recutting and re-culling a set.
Does an edit overwrite my original?
No. An edit produces a new frame; the original stays in your account untouched.
How many changes can one job make?
Brief one facet per job. Stacked changes destabilise the parts you wanted to keep.
Can I edit uploaded photos too?
Yes — your own photos follow the same consent rules as every upload on the bench.
What if the repolish misses?
Narrow the instruction and name what must stay identical. Vague briefs are the main cause of drifting edits.
One bench, every stage of the cut
Cutting, resetting, repolishing and the final polish share one credit balance and one private library. Start with the facet you need today.
Open the generator